“In my workshop above the door is my motto: “Ici nous sauvons le passé pour le futur,” which translates as, “Here we save the past for the future.”” After half a century of repairing and conserving period furniture, author Patrick Edwards has learned some valuable lessons. In Issue Ten, he will share some of those lessons with us.
In 2019, we at M&T were given a crash-course in French timber framing when dozens of international carpenters from the Charpentiers Sans Frontières came to Maine to build a blacksmith shop. The art of construction with hand-hewn timbers is closely guarded and preserved in France through traditional apprenticeship models which have been in place for centuries. In Issue Ten, we will hear from author Joseph Brihiez on his experiences as an apprentice to CSF carpenter Loïc Desmonts.
The beauty of a piece of furniture changes and deepens over the centuries. Wear and tear create patina, repairs give character, and the steady use of generations offers an intangible sense of connectedness to the past. In Issue Ten, we examine an early-18th century gateleg table that has stories to tell.
When it comes to sustainable and useful natural materials, it’s hard to beat the common cattail. Long used in traditional handcraft, it was the go-to choice for weaving comfortable chair seats for many centuries before the invention of factory-produced paper rush and other industrial products. But author Michael Updegraff believes it’s time for cattail rush to make a comeback.
As woodworkers, our tools are precious to us. We’ve grown accustomed to their quirks, learned their capabilities and weaknesses, and love the feel of their worn handles. They become extensions of our own hands. This connection between worker and tool has existed for millennia. But how have the Industrial and Digital Revolutions changed the way our culture defines “tools?”
We at M&T believe that the textures left behind in the process of making handmade objects tell a story of freedom and creativity. And so did John Ruskin. Ruskin’s name features prominently among the great thinkers of the 19th century. His writings were held in high esteem by the likes of Gandhi, Tolstoy, and many others, and changed the way we look at art, labor, and craftsmanship. The BBC recently entertained the idea that Ruskin might have been the most important man who lived in the last 200 years. His thoughts on handcraft were the seeds of the Arts & Crafts Movement, and his outspoken criticism of industrialization and the exploitation of the poor made some enemies but inspired many...
The lessons we learn in life should not end with us – we ought to always seek to pass wisdom on to the next generation. In Issue Ten, author Joshua Klein aims to do just that, in penning a letter to his three sons. He begins, innocuously enough, in describing a simple firewood box he intends to build for the living room. But Klein realizes, and wants his boys to realize as well, that the act of making by hand is a deeply integrated practice. The process of building a box with simple nailed rabbet joinery might be allowed to slip by as an unexceptional undertaking, having been repeated millions of times over the centuries throughout many cultural traditions....
We’re big on books. We love to learn of obscure titles long out of print that contain information or images that cannot be found anywhere else. The quest for this kind of knowledge can lead down many rabbit trails – but where to begin? What volumes should a furniture maker track down to begin a woodworking reference library?Cabinetmaker, carver, and chairmaker Al Breed has forgotten more than most will ever know about pre-industrial furniture. He is a veritable walking reference, and he is generous in sharing that knowledge with others. For our book recommendation in Issue Ten, Breed has offered to do something a little different: He recommends a solid stack of books for the woodworker to start with in...
David Pye pondered deeply about craft. His thoughts, encapsulated in his most well-known book, The Nature and Art of Workmanship, have reverberated for decades within the maker community. But Pye didn’t just work out his philosophy in pen and ink – he chose to live it as well, in the way he worked in his shop.
In Issue Ten, author and furniture maker Jeff Miller takes us alongside his version of the “fluting engine,” an ingenious device Pye designed for carving bowls.
What does a modern apprenticeship look like? How has that ancient model of immersive learning changed as our society pushes forward into the 21st century? And what are the lessons that a master can teach in today’s specialized world?
Author and spoon carver Will Wheeler explores these questions through his own experience in the Maine Craft Apprentice Program, in which he gained experience in a period of seven months under the watchful tutelage of Kenneth Kortemeier of the Maine Coast Craft School. Together, they worked through the process of creating a pair of ladderback chairs, starting from green logs.