M&T: Were you learning new skills there or were you simply applying knowledge you already had? RU: Well, I taught myself blasting out there. I had the Whole Earth Catalog, and there was a review in there of a book on blasting. I didn’t have the book but I had this photo of the open book, a left and right page. I read that and thought “Oh, that’s all I need to know.” I went down to Santa Fe and bought a case of dynamite for $35. I had to fill out a form for it, and the fellow just told me “Check this, check that. OK, now sign.” That was the way it went: just like that I had...
Studying a piece of old furniture is like venturing into the woods after a snowfall. With a fresh coating of powder, the previously invisible activities of the forest are put on full display. That squirrel that steals from your bird feeder? You can finally discover his path – this way, that way; he did some digging there, climbed a tree. You find that a pair of deer came by, a doe and yearling, browsing the firs along the meadow. Something startled them at the far end, and they fled to deeper woods. The information is everywhere, tracks impressed into the frozen crystals. With careful study, it’s even possible to identify particular animals based on their tracks, and to determine what...
M&T: You’ve long talked about this idea of “subversive woodworking.” What does it mean? RU: Subversive woodworking is about getting people to question their dependence on the glow of the power company. It is partly a Thoreauvian idea of trying to help folks gain personal self-reliance. My ideal image of a woodworking school envisioned an old downtown location with a big glass window in the front. Passers-by could look in and see what was going on, see work done at workbenches with handsaws and planes. The students inside are already converted, but the people outside have maybe never thought of this way of working before. They’re looking in the window, thinking, “What the heck is that?” and then they’ll start...
When the time comes around to pore over our authors’ newly submitted rough drafts, I can't help but reflect on the process for past issues of the magazine. It might be because we print the magazine “just” twice per year, or because we invest ourselves so heavily into our authors’ worlds and spend a ton of time with each and every sentence, or because we intentionally don’t recycle content, but every published article sticks out in memory with a funny or compelling story behind it. Some, you might easily guess. For example, spending days hanging out with Roy Underhill for Issue Eight was a riot. We went for lunch one day at his favorite local burrito joint, then strolled to...
For many of the folks working on this timber-frame project, the axe was and is the physical embodiment and symbol of these alternative possibilities that are available to us. The simple act of taking up tools is a trailhead to the path toward independence. With them, we wield the means to build the world we want to see. It is a small thing to learn to use an axe. But a life comprised of many such down-to-earth and constructive decisions is the framework for a new way of seeing the world – one rooted in empowerment, compassion, and freedom. As one of the CSF carpenters, Florian Carpentier, put it, “[The axe is] one of the most basic tools since humanity...
My shop power is a mix of human power, photovoltaic panels, and fossil fuel. In deciding how big our off-grid system should be, I have tried to keep in mind Schumacher’s words in his chapter entitled “Peace and Permanence.” When wondering whether universal prosperity is possible, he asks, “Is there enough to go around?” He points out that the modern economist has no concept of enough. “There are poor societies which have too little; but where is the rich society that says ‘Halt! We have enough’? There is none.” My system has 500 watts (.5 kW) of solar panel capacity. From this I power lights in the shop and my home, a freezer, a small table saw, charge batteries for...
For all his potential hypocrisy, there’s no debating that he knew his way around hand tools. The first chapter of Walden, “Economy,” includes a fussily detailed description of the supplies, carpentry, layout, and furnishings of his cabin. He describes how he first visited his homesite in March 1845, bringing an axe he’d borrowed from a neighbor. He notes that “it is difficult to begin without borrowing, but perhaps it is the most generous course thus to permit your fellow-men to have an interest in your enterprise.” (He also reassures us that he returned his neighbor’s axe “sharper than [he] received it.”) He spent days felling and hewing the timbers for his home, sturdy pine studs 6" square. Thoreau rhapsodizes that...
Mike just reminded me that back in 2019 we took video footage of Harry Bryan’s human-powered bandsaw in action. Just the other day, we posted an excerpt from his article in Issue Eight, in which he describes this arrangement and how he’s used it in his off-grid boatshop for many years. The above is a compilation of few clips of Harry at work. He swears by the simplicity of clever, human-powered equipment applied in just the right ways, and this saw is a great example of just that. I’ve not had a bandsaw in my shop for several years now, but Harry’s rig looks like a blast to build and use. Maybe someday I’ll have to tinker with such an...
This is a strange day for two reasons. After canceling the packing party because of the COVID-19 scenario, Mike and I (with help from Grace and our families) wrapped thousands of copies of Issue Eight in brown paper, adhered a wax-sealed trade card (done by my wife and me over many evenings), slid them into rigid mailers with a white pine plane shaving, and applied the postage. Considering that the printing of postage alone takes us 8-10 person-hours per issue, this special wrapping process is a monumental undertaking. We love every minute of it, and that’s why we’ve always invited 25 volunteers to help out for two days. But we knew this wrapping would soon be coming to an end...
Issue Eight is on its way soon! We’re stoked about how this one turned out. Each issue, our printer has been fine-tuning their work to our specifications of premium paper choice, etc, and this one is absolutely gorgeous – they nailed it!
Just wait until you see Issue Eight in person! It’s just the kind of reading you need for your socially distanced time off.
Tomorrow, Tuesday the 24th is the last day to subscribe to get a wrapped copy of Issue Eight!
Link to order here:
https://www.mortiseandtenonmag.com/collections/magazine/products/magazine-subscription
– Joshua
